I had to listen to his work Closer. It gave me early spring feelings with the melting snow and dripping roof. Always interesting when you physically capture yourself and fill the image with your own thoughts.
Thanks, as always, your comments are thought-provoking. Your reaction to the Bley cut is wonderful. His handling of negative space was unique, I think; maybe reflecting the fact that his country has no shortage of it. For anyone interested, here’s the song from his 1965 release:
JOHN TODARO 
Not familiair with Bley’s work. Love the reach out
LikeLiked by 1 person
Thanks 🔷 Bley recorded a number of versions of “Ida Lupino.” I especially like this one:
LikeLike
I had to listen to his work Closer. It gave me early spring feelings with the melting snow and dripping roof. Always interesting when you physically capture yourself and fill the image with your own thoughts.
LikeLiked by 1 person
Thanks, as always, your comments are thought-provoking. Your reaction to the Bley cut is wonderful. His handling of negative space was unique, I think; maybe reflecting the fact that his country has no shortage of it. For anyone interested, here’s the song from his 1965 release:
LikeLiked by 1 person
⭐️⭐️⭐️⭐️⭐️
LikeLiked by 1 person
Thanks Philip, happy you like the triptych. Bringing oneself into the picture is good occasionally; a way, perhaps of re-calibrating the view
LikeLiked by 1 person
Hi John and thanks for your post! Recalibrating our views—Yes…😊⭐️🎶⭐️😊
LikeLiked by 1 person