Although I don’t particularly like long exposures of moving water, I find these photos wonderful, also because of this special, intense color.
Thanks Ule. I see a lot of long exposures of waterfalls taken from far enough away that they look like silken wedding cakes. What I’ve been trying to do is shoot rivers close to the surface so that the sense of place is secondary to a more abstract POV. It’s been an interesting project; some pictures seem to work better in monochrome but others have a lot going on with color. I appreciate your thoughts
Great series John!
Many thanks Jag; nice to hear from you
I always experience it as a balancing act between the speed of the water, the focal length and the shutter speed. Here, your triptych shows the right balance in my opinion.
I couldn’t say it better. Your sensitivity to the subject is more than apparent in your work
JOHN TODARO 
Although I don’t particularly like long exposures of moving water, I find these photos wonderful, also because of this special, intense color.
Thanks Ule. I see a lot of long exposures of waterfalls taken from far enough away that they look like silken wedding cakes. What I’ve been trying to do is shoot rivers close to the surface so that the sense of place is secondary to a more abstract POV. It’s been an interesting project; some pictures seem to work better in monochrome but others have a lot going on with color. I appreciate your thoughts
Great series John!
Many thanks Jag; nice to hear from you
I always experience it as a balancing act between the speed of the water, the focal length and the shutter speed. Here, your triptych shows the right balance in my opinion.
I couldn’t say it better. Your sensitivity to the subject is more than apparent in your work