This place could be described as craggy and shaggy. Many thanks Martin.
Ooooh, yes! There’s that Doré light again!
Hiking up the mountain reminded me of any number of scenes from Herzog’s “Aguirre, The Wrath of God”
Not familiar with that particular Herzog–I shall have to make myself.
An all together nice collection of images from your Adirondack trip, John. This one is another standout for me…
Many thanks — I wish those mountains were closer. 🙂
Really wonderful, John, and I can’t help wonder how much you have a final, or finished look like this in mind when you are out making the photograph – or does the way to process it spring to mind later? I can just about imagine a scene like this, but I don’t picture envisioning the photograph this way. It’s a beautiful rendition of mood and mystery.
Thanks Lynn. This was a steep trail with one interesting scene after another.
And maybe you answered my question in the comments on the previous post.
That’s right… it depends on if I’m shooting in color or not, although in the overwhelming majority of instances I’m aware in the field if there’s monochrome potential.
JOHN TODARO 
Now that’s my kind of trail, tones, POV, cracking
This place could be described as craggy and shaggy. Many thanks Martin.
Ooooh, yes! There’s that Doré light again!
Hiking up the mountain reminded me of any number of scenes from Herzog’s “Aguirre, The Wrath of God”
Not familiar with that particular Herzog–I shall have to make myself.
An all together nice collection of images from your Adirondack trip, John. This one is another standout for me…
Many thanks — I wish those mountains were closer. 🙂
Really wonderful, John, and I can’t help wonder how much you have a final, or finished look like this in mind when you are out making the photograph – or does the way to process it spring to mind later? I can just about imagine a scene like this, but I don’t picture envisioning the photograph this way. It’s a beautiful rendition of mood and mystery.
Thanks Lynn. This was a steep trail with one interesting scene after another.
And maybe you answered my question in the comments on the previous post.
That’s right… it depends on if I’m shooting in color or not, although in the overwhelming majority of instances I’m aware in the field if there’s monochrome potential.